Kiryong Kim paints general bulls, but he arbitrates and endures the expressive will by usinghis own metaphor. This artist actively confesses and expresses as much as he likes, and it inspires spectator in the figurative speedthat stimulates emotion.

김기룡_untitle2_캔버스에 유채

김기룡_untitle3_캔버스에 유채

Kiryong Kim performs an infinite silence in the background in order to reinforcethe pictorial episodes. Here, he is free. This silence makes the furious turmoil echo behind a spectator's mind. I see that Kiryong Kim patiently exploits his art worldand confronts the environment such as the outside world, the past, and tradition. ■ Hei-yeong Yi

이탈_Fat Pigeons_패브릭에 에어모델링, 전동장치_가변설치

이탈_붉은 기운_12채널 비디오_가변설치_2005

이탈_윗몸일으키기

Lee Tal detects grand flow of the society with senses and recommends it with senses. The structural ironies of the society, fragments that are determined by power, realities of the artistic community that are not better off and the "trained" demeanors that are developed into images are twisted around, mocked and mentioned, and the genuine identities are shown as they are, casting away falsehood and cover to discuss the bare reality of life. Twisting to paint better picture of the reality, these 'bare' things become incarnated as landscape throwing away the artificial overcoat. ■ Lee, So Young

조명식_The blessing in field 3

조명식_The blessing in field 2

조명식_The blessing in field 1

All surroundings in our life appeal to us as their own features. My major work is concerned to my own 'self-regulation' in the progress of my art. I expect that the object, materials, and each formal elements are complementarily cooperated each other. My life and own artwork are filled with my own words. This coexistence is the mission for my continuous challenge. ■ Cho, myung-shik

Vol.20070903e | PI ARTWORKS Gallery 한국작가 3인 초대개인展